Praised for his "elegant and rounded sound" (Albany Times Union) and "effortless...unmatched" technique (The Clarinet Online), Graeme Steele Johnson is an artist of uncommon imagination and versatility.

His diverse artistic endeavors range from a TEDx talk comparing Mozart and Seinfeld, to his reconstruction of a forgotten 125-year-old work by Charles Martin Loeffler, to performances of Mozart's Clarinet Concerto in its original form on an elongated clarinet that he commissioned. Johnson’s recent and upcoming performances include appearances at Chamber Music Northwest, Bridgehampton Chamber Music Festival, Ravinia, Phoenix Chamber Music Festival, Emerald City Music, Maverick Concerts, Music Mountain and Yellow Barn, as well as solo recitals at The Kennedy Center and Chicago’s Dame Myra Hess series. He is also a regular performer at the Annapolis Chamber Music Festival, Archipelago Collective Chamber Music Festival and Caroga Lake Music Festival. As a concerto soloist, he has performed twice with the Vienna International Orchestra, as well as with the Springfield Symphony Orchestra, Caroga Arts Ensemble, Vermont Mozart Festival Orchestra and the CME Chamber Orchestra. Since 2022 he has served as the clarinetist of the award-winning quintet WindSync, one of only two American wind quintets with a full-time, international touring schedule. WindSync is represented by MKI Artists.

Driven by his interest in shedding fresh perspective on familiar music, Johnson has authored numerous chamber arrangements of repertoire ranging from Mozart and Debussy to Gershwin and Messiaen, and performed them around the country with such artists as the Miró Quartet, Valerie Coleman and Han Lash. Other distinguished chamber music collaborators include David Shifrin, Lucy Shelton, Ani Kavafian, Anthony Marwood, Allan Vogel, William Purvis, Imani Winds, the Callisto and KASA Quartets, New York New Music Ensemble, Frisson Ensemble, Metropolis Ensemble and American Modern Ensemble. Upcoming performances include collaborations with David Shifrin, Ida and Ani Kavafian, Steven Tenenbom, Peter Wiley and Timothy Cobb.

Johnson is the winner of the Hellam Young Artists’ Competition and the Yamaha Young Performing Artists Competition; other recent accolades include the Saint Botolph Club Foundation's Emerging Artist Award and the inaugural Lee Memorial Scholarship from the Center for Musical Excellence. He has recorded commercially for Hyperion Records, MSR Classics and Musica Solis Productions, as well as a recent recording project at Abbey Road Studios with WindSync.

Johnson's writing about music has been published by the international journal The Clarinet, as well as in program booklets by Carnegie Hall, Chamber Music Northwest, Yale and the Norfolk Chamber Music Festival, and as liner notes accompanying albums by David Shifrin, Ricardo Morales, Lloyd Van't Hoff and the Center for Musical Excellence. He holds graduate degrees from the Yale School of Music, where he was twice awarded the school's Alumni Association Prize. His major teachers include David Shifrin, Nathan Williams and Ricardo Morales, and he is now a doctoral candidate at The Graduate Center of the City University of New York under the mentorship of Charles Neidich and Kofi Agawu.

Winner of both the Avery Fisher Career Grant (1987) and the Avery Fisher Prize (2000), David Shifrin is in constant demand as an orchestral soloist, recitalist and chamber music collaborator.

Mr. Shifrin has appeared as soloist with the Philadelphia and Minnesota Orchestras and the Dallas, Seattle, Houston, Milwaukee, Detroit, Fort Worth, Hawaii and Phoenix Symphonies, among many others in the United States, as well as with orchestras in Italy, Switzerland, Germany, Japan, Korea, China and Taiwan. As a recitalist he has appeared at such venues as Alice Tully Hall, Carnegie Hall, the 92nd Street Y, and the Library of Congress. A much sought after chamber musician, he has collaborated frequently with such distinguished artists as the Guarneri, Tokyo, Emerson, Orion, Dover and Miró Quartets, as well as Wynton Marsalis, André Watts, Emanuel Ax and André Previn.

An artist member of the Chamber Music Society of Lincoln Center since 1989, Mr. Shifrin served as its Artistic Director from 1992 to 2004. He has toured extensively throughout the United States with CMSLC and hosted and performed in several national television broadcasts on PBS's Live from Lincoln Center. He also served as Artistic Director of Portland's Chamber Music Northwest from 1981 through 2020.

Mr. Shifrin joined the faculty of the Yale School of Music in 1987 and was appointed Artistic Director of the Chamber Music Society of Yale and the Yale in New York series at Carnegie Hall in 2008. He has also served on the faculties of The Juilliard School, University of Southern California, University of Michigan, Cleveland Institute of Music and the University of Hawaii.

Recent accolades include a Solo Recitalists' Fellowship from the National Endowment for the Arts and the 2016 Concert Artists Guild Virtuoso Award. He was given an Honorary Membership by the International Clarinet Association in 2014 in recognition of lifetime achievement, and at the outset of his career he won the top prizes at both the Munich and the Geneva International Competitions. In recent years he received the Distinguished Alumni Awards from the Interlochen Center for the Arts and the Music Academy of the West, and a Cultural Leadership Citation from Yale University. He was recognized with the Richard J. Bogomolny National Service Award at the 2018 Chamber Music America Conference for historic service to the small ensemble music field, and in 2019 he was awarded the Chamber Music Society of Lincoln Center's Award for Extraordinary Service to Chamber Music.

Mr. Shifrin performs on a Backun "Lumière" cocobolo wood clarinet and Légère premium synthetic reeds. He is represented by CM Artists New York.

Called the “Yo-Yo Ma of the harp,” by Vogue’s Senior Editor Corey Seymour, Bridget Kibbey is in demand for innovative, virtuosic programming that celebrates the expressive range of the instrument. She is the 2022–23 Artist in Residence at the Schubert Club, an alum of The Bowers Program (formerly CMS Two), an Avery Fisher Career Grant recipient, and a winner of the Premiere Prix at the Journées de les Harpes Competition in Arles, France, among others. Kibbey tours projects and programs of her own conception, including her own adaptations of J. S. Bach’s keyboard concertos alongside the Dover Quartet, as well as duo collaborations with mandolinist Avi Avital and violinist Alexi Kenney. This season she launches an all-French program with the Calidore String Quartet and tours her newest project, Persia to Iberia, showcasing the sounds of the Islamic Golden Era through 19th-century Spain alongside Persian vocalist Mahsa Vahdat and percussionist John Hadfield. She also creates projects with Latin Grammy–winning musicians that explore cultural narratives driving songs and dances from South America, and has toured and recorded with luminaries Placido Domingo, Dawn Upshaw, and Gustavo Santaolalla for Sony Records and Deutsche Grammophon. Kibbey made her NPR Tiny Desk Solo Debut in 2021. Her debut album, Love is Come Again, was named a Top Ten Release by Time Out New York. She appears frequently as soloist and chamber musician at festivals and series—and with orchestras as concerto soloist—across the globe.

American violinist Stella Chen garnered worldwide attention with her first-prize win at the 2019 Queen Elizabeth International Violin Competition, followed by the 2020 Avery Fisher Career Grant and 2020 Lincoln Center Emerging Artist Award.

Since then, Stella has appeared across North America, Europe, and Asia in concerto, recital, and chamber music performances. She recently made debuts with the New York Philharmonic, Chicago Symphony, Minnesota Orchestra, Israel Philharmonic, Chamber Orchestra of Europe, Baltimore Symphony, Belgian National Orchestra, and many others and appeared at the Vienna Musikverein and Berlin Philharmonie. In recital, recent appearances include Lincoln Center, Carnegie Hall, the Phillips Collection, Rockport Music Festival, and Nume Festival in Italy. She appears frequently with Chamber Music Society of Lincoln Center both in New York and on tour.

Stella has appeared as a chamber musician in festivals including the Ravinia, Seattle Chamber Music, Perlman Music Program, Music@Menlo, Bridgehampton, Rockport, Kronberg Academy, and Sarasota. Chamber music partners include Itzhak Perlman, James Ehnes, and Matthew Lipman.

She is the inaugural recipient of the Robert Levin Award from Harvard University, where she was inspired by Robert Levin himself. Teachers and mentors have included Donald Weilerstein, Itzhak Perlman, Miriam Fried, and Catherine Cho. She received her doctorate from the Juilliard School where she serves as teaching assistant to her longtime mentor Li Lin.

Stella plays the 1700 ex-Petri Stradivarius, on generous loan from Dr. Ryuji Ueno and Rare Violins In Consortium, Artists and Benefactors Collaborative and the 1708 Huggins Stradivarius courtesy of the Nippon Foundation.

Siwoo Kim is an “incisive” and “compelling” (Zachary Woolfe, The New York Times) violinist who plays with “stylistic sensitivity and generous tonal nuance” (John von Rhein, Chicago Tribune). Siwoo performs as soloist and chamber musician, and he is the co-founding artistic director of VIVO Music Festival in his hometown of Columbus, Ohio.

Siwoo gave the world premiere performance of Samuel Adler’s violin concerto which was written for him. He recorded the work on Linn Records to commemorate the composer’s 90th birthday, and the BBC Music Magazine praised his “notable fire & impassioned playing.” Siwoo made his Carnegie Hall concerto debut in Stern Auditorium with the Juilliard Orchestra. He has since performed with orchestras around the world including the Staatsorchester Brandenburgisches Frankfurt, Columbus Symphony, Gangneung Philharmonic, Houston Symphony, Johannesburg Philharmonic, Kwazulu-Natal Philharmonic, Orchestre Royal de Chambre, Seongnam Philharmonic, Springfield Symphony, and Tulsa Symphony in venues such as Walt Disney Concert Hall and Lotte Concert Hall.

As a chamber musician, Siwoo formed the “whip-smart” (Alex Ross, The New Yorker) Quartet Senza Misura, which performed at the Phillips Collection, Alice Tully Hall at Lincoln Center, the Kennedy Center, Seoul Arts Center and more during their three years together. He has had the honor of collaborating with artists such as Dénes Várjon, Itzhak Perlman, Jeremy Denk, Joyce DiDonato, Mitsuko Uchida and members of the Guarneri, Juilliard and Takács Quartets. Siwoo spent numerous summers at the Marlboro Music Festival, and he has been featured internationally as guest artist at the Tivoli Festival in Denmark, the Bergen International Festival in Norway, the Stellenbosch International Chamber Music Festival in South Africa, the Fundación Juan March in Spain and with Ensemble DITTO in South Korea.

Siwoo was named the recipient of the 2012 King Award for Young Artists. He took second place at the 2010 Corpus Christi International Competition for Piano and Strings, where he was also awarded special prizes for the best performance of solo Bach and violin performance. He has also been named top prizewinner in the California, Chengdu, Crescendo, Hellam, Ima Hogg, Juilliard, NFAA youngARTS, Schadt, Sejong, and WAMSO competitions.

Siwoo received his undergraduate and graduate degrees from The Juilliard School where he studied under Robert Mann and Donald Weilerstein with full scholarship. He went on to complete a two-year fellowship with Carnegie Hall’s Ensemble Connect. Prior to college, Siwoo studied under Roland and Almita Vamos at the Music Institute of Chicago.

Siwoo performs on a 1753 “ex-Birgkit” Giovanni Battista Guadagnini violin on generous loan through Rare Violins In Consortium.

American violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing,” and by the Chicago Tribune for a “splendid technique and musical sensitivity.” Lipman has come to be relied on as one of the leading players of his generation, frequently appearing as both a soloist and chamber music performer.

Lipman will debut with the Chicago Symphony Orchestra at the Ravinia Festival and with the Chamber Orchestra of Europe at the Rheingau Music Festival in the summer of 2021. Highlights of recent seasons include appearances with the Minnesota Orchestra, BBC Philharmonic, Academy of St Martin in the Fields, and the Juilliard Orchestra. Lipman has worked with conductors including Edward Gardner, the late Sir Neville Marriner, Osmo Vänskä, and Nicholas McGegan. Lipman was a featured performer with fellow violist Tabea Zimmermann at Michael Tilson Thomas’s 2019 Viola Visions Festival of the New World Symphony in Miami. His recent debuts include at the Aspen Music Festival, Seoul’s Kumho Art Hall, Wigmore Hall, Chicago’s Orchestra Hall at Symphony Center, the Walt Disney Concert Hall and in recital at Carnegie Hall.

Ascent, his 2019 release by Cedille Records, was celebrated by The Strad as a “most impressive” debut album while Lipman is praised for his “authoritative phrasing and attractive sound.” The album marks the first ever recording of the recently discovered work by Shostakovich, Impromptu for viola and piano and of Clarice Assad’s Metamorfose for viola and piano, which Lipman commissioned for the recording. He has also been featured on the recording of Mozart’s Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields conducted by the late Sir Neville Marriner. The album topped Billboard’s Classical Chart and has received praise by both the press and public.

Named the 2019 Artist-in-Residence for the American Viola Society, Lipman has additionally been featured on WFMT Chicago’s list “30 Under 30” of the world’s top classical musicians, and is a published contributor to The Strad, Strings and BBC Music magazines. He was featured on the second season of PBS’s ‘Now Hear This’ performing Schubert’s ‘Arpeggione’ Sonata with pianist Mishka Rushdie Momen. He performs regularly on tour and at Lincoln Center’s Alice Tully Hall with the Chamber Music Society of Lincoln Center and at music festivals including the Morizburg Festival, St. Petersburg’s White Nights, Music@Menlo, Marlboro, Ravinia, Bridgehampton, Seattle, Saratoga, and Kissinger Sommer festivals. His regular chamber music partners include Tabea Zimmermann, Mitsuko Uchida, Itzhak Perlman, Sir András Schiff, Jeremy Denk, Stella Chen, and Pinchas Zukerman. Dedicated to expanding the repertoire for the viola, Lipman has also performed the premieres of works for viola by composers Helen Grime, Clarice Assad, David Ludwig and the American premiere of Monochromer GartenVI by Malika Kishino.

Lipman is the recipient of a 2015 Avery Fisher Career Grant, a Kovner Fellowship, and the Jack Kent Cooke Award, and is also a major prize winner in the Primrose, Tertis, Washington, Johansen, and Stulberg International Viola Competitions. He studied at The Juilliard School with Heidi Castleman, and was further mentored by Tabea Zimmermann at the Kronberg Academy. As an alum of the Bowers Program, Lipman occupies the Wallach Chair at the Chamber Music Society of Lincoln Center. He performs on a 1700 Matteo Goffriller viola loaned through the generous efforts of the Pine Foundation.

Currently a C.V. Starr Doctoral Fellow at The Juilliard School, cellist Samuel DeCaprio is quickly establishing himself as one of today's most creative artists and collaborators. With performances taking place from the jungles of Bali to the meditative depths of an underground New York City crypt to Carnegie Hall’s Weill Recital Hall, he aspires to use his voice to bring the works of composers, both revered and underrepresented, to uplift modern audiences. Winner of the 2018 Aldo Parisot Prize from the Yale School of Music, awarded to "gifted cellists who show promise for concert careers," he hopes to reach and inspire new listeners as an ambassador for classical music. Mr. DeCaprio was a winner of the Wilmington Music Festival’s 2019-2020 Emerging Artist Auditions and is currently on the Center for Musical Excellence Artist roster.

Recent highlights include his Lincoln Center concerto debut presenting the United States premiere of Grażyna Bacewicz’s Cello Concerto No. 2 with the Juilliard Orchestra and conductor David Robertson in Alice Tully Hall, as well as solo and chamber performances in England, New York City, Connecticut, Pennsylvania, and North Carolina. In past seasons, Mr. DeCaprio has given solo performances in major cities across the United States, Canada, and Europe, and has been heard in concerto appearances with the University of Connecticut and Willimantic symphony orchestras performing concerti by Haydn and Shostakovich. Recent highlights include appearances on WQXR Midday Masterpieces, The Juilliard School’s Focus Festival, a sold-out performance of the Brahms and Mozart clarinet quintets on The Crypt Sessions, and a recital tour with pianist Edith Widayani in Southeast Asia.

An extremely passionate chamber musician, Mr. DeCaprio’s festival appearances include Ravinia’s Steans Music Institute, IMS Prussia Cove Open Chamber Music, Kneisel Hall, Lake George, Orford Arts Centre, Meadowmount School of Music, and the National Arts Centre Young Artist Program led by violinist Pinchas Zukerman. His enthusiasm for collaboration has led to the opportunity to perform alongside many chamber music luminaries, including violist Atar Arad, violinists Miranda Cuckson, Mikhail Kopelman, Joseph Lin, and Daniel Phillips, cellist Steven Doane, and pianists Vladimir Feltsman and Barry Snyder.

A champion and performer of the music of our time, he has sought out opportunities to collaborate with living composers on their own chamber music, working with individuals such as Harvard composer-in-residence Chaya Czernowin, as well as notable composers Yu-Hui Chang, Brett Dean, Stephen Gryc, John Musto, and Juri Seo. Interested in a wide range of music, he recorded an album for ECM Records with Cuban-jazz composer and pianist David Virelles. Entitled “Gnosis,” the album explores and represents the meeting of worlds — the old and new, Latin and North American, and “is guided by Afro-Cuban folklore and a respect for the recondite” (New York Times). Other recent creative collaborative projects include a soon-to-be-released recording of Steve Reich’s Double Sextet, and a music video of Mozart’s Clarinet Quintet for The Crypt Sessions series. Mr. DeCaprio is also the founder and creator of the recently formed Project Mx2 — a multifaceted project involving commissioning and performing new works for the cello, as well as promoting underrepresented works from the 20th and 21st centuries.

Mr. DeCaprio holds degrees from the University of Connecticut (Bachelor of Music, summa cum laude), Eastman School of Music (Master of Music), Mannes School of Music (Professional Studies Diploma), and Yale School of Music (Master of Musical Arts). While at the Eastman School, he was also awarded the prestigious Performer’s Certificate. Mr. DeCaprio performs on a 1714 Claude Pierray cello on generous loan from The Juilliard School.

Through “brilliant and compelling programming” (The Strad), Sam Suggs gathers musical materials through composition, re-composition, and improvisation, melting barriers of genre and style with fresh interpretations and deft transitions between old and new worlds of sound, colored by the unique physicality and haunting resonance of the double bass and guiding audiences through unfamiliar territory with the soft palette of his voice.

Sam is the first solo bassist in 36 years to join the Concert Artists Guild roster, and was recently recognized with an award for Extraordinary Creativity at the 2017 Bradetich Foundation International Double Bass Competition.

A paradigm-shifting bassist-composer, Sam was named ‘New Artist of the Month’ (October 2015) by Musical America after winning 1st place at the 2015 International Society of Bassists Solo Competition while performing many original works.

As a collaborative bassist, he has performed at the Mostly Mozart Festival, Yellow Barn, Chamber Music Northwest, Lincoln Center, Carnegie Hall, the Kennedy Center, and with the Argus Quartet, PUBLIQuartet, Founders, Frisson Ensemble (composer-in-residence), and his contemporary jazz trio Triplepoint.

A native of Buffalo, NY and doctoral candidate at the Yale School of Music, Sam spends his time between the Northeast and the Shenandoah Valley performing with various chamber, crossover, and contemporary groups, giving recitals and masterclasses, and teaching full-time as Assistant Professor of Bass at James Madison University, as well as at the Heifetz Institute, Peabody Bass Works, Sewanee Summer Music Festival, and the Juilliard Summer Strings Program in Shanghai.