Praised for his "elegant and rounded sound" (Albany Times Union) and "effortless...unmatched" technique (The Clarinet Online)​, Graeme Steele Johnson is an artist of uncommon imagination and versatility.

His diverse artistic endeavors range from a TEDx talk comparing Mozart and Seinfeld, to his reconstruction of a forgotten 125-year-old work by Charles Martin Loeffler, to performances of Mozart's Clarinet Concerto in its original form on an elongated clarinet that he commissioned. Johnson’s recent and upcoming performances include appearances at the Library of Congress, Morgan Library, Harvard Musical Association, Chamber Music Northwest, Bridgehampton Chamber Music Festival, Ravinia, Phoenix Chamber Music Festival, Emerald City Music, Maverick Concerts, Music Mountain and Yellow Barn, as well as solo recitals at The Kennedy Center and Chicago’s Dame Myra Hess series. He is also a regular performer at the Annapolis Chamber Music Festival, Archipelago Collective Chamber Music Festival and Caroga Lake Music Festival. As a concerto soloist, he has performed twice with the Vienna International Orchestra, as well as with the Springfield Symphony Orchestra, Caroga Arts Ensemble, Vermont Mozart Festival Orchestra and the CME Chamber Orchestra.

Since 2022 he has served as the clarinetist of the award-winning quintet WindSync (MKI Artists), one of only two American wind quintets with a full-time, international touring schedule. Also sought after as a chamber musician outside of that group, Johnson has collaborated with such distinguished artists as David Shifrin, Lucy Shelton, Ani Kavafian, Anthony Marwood, Stella Chen, Simone Porter, Chad Hoopes, Matthew Lipman, Bridget Kibbey and Allan Vogel, as well as the Miró, Callisto and KASA Quartets, Imani Winds, and the New York New Music Ensemble. Upcoming performances include collaborations with Jon Kimura Parker, David Shifrin, Frank Morelli, Ida and Ani Kavafian, Steven Tenenbom, Peter Wiley and Timothy Cobb.

In 2020, Johnson discovered the unpublished manuscript to a forgotten, 125-year-old Octet by Charles Martin Loeffler, one of the most performed American composers of his time. Johnson spent a year reconstructing the Octet's score from the 75-page manuscript, creating the first critical edition of the music and revealing a kaleidoscopic piece spanning a half-hour. Having recently recorded the work for the first time, Johnson will give the first modern performances of Loeffler’s forgotten Octet at the Library of Congress, the Morgan Library in New York City, and the Phoenix Chamber Music Festival in the spring of 2024.

Driven by his interest in shedding fresh perspective on familiar music, Johnson has authored numerous chamber arrangements of repertoire ranging from Mozart and Debussy to Gershwin and Messiaen, and performed them around the country with such artists as the Miró Quartet, Valerie Coleman and Han Lash. His arrangements have also been championed by others around the world, with performances by the Melbourne Symphony Orchestra (Australia), Moscow Conservatory and La Jolla Music Society, and multiple commissions from The Happenstancers (Toronto).

Johnson is the winner of the Hellam Young Artists’ Competition and the Yamaha Young Performing Artists Competition; other recent accolades include the Saint Botolph Club Foundation's Emerging Artist Award and the inaugural Lee Memorial Scholarship from the Center for Musical Excellence. He holds an exclusive recording contract with Delos, and has previously recorded for Hyperion Records, Azica Records, MSR Classics and Musica Solis Productions.

​Johnson's writing about music has been published by the international journal The Clarinet, as well as in program booklets by Carnegie Hall, Chamber Music Northwest, Yale and the Norfolk Chamber Music Festival, and as liner notes accompanying albums by David Shifrin, Ricardo Morales, Lloyd Van't Hoff and the Center for Musical Excellence. He holds graduate degrees from the Yale School of Music, where he was twice awarded the school's Alumni Association Prize. His major teachers include David Shifrin, Nathan Williams and Ricardo Morales, and he is now a doctoral candidate at The Graduate Center of the City University of New York under the mentorship of Charles Neidich and Kofi Agawu.