Winner of the Hellam Young Artists’ Competition and the Yamaha Young Performing Artists Competition, Graeme Steele Johnson has established a multifaceted career as a clarinetist, writer, arranger and performance designer. He has appeared recently as a TEDx speaker, in recital at The Kennedy Center and Chicago's Dame Myra Hess series, and as a chamber musician at Carnegie Hall’s Weill Recital Hall, the Ravinia Festival, Phoenix Chamber Music Festival, and Chamber Music Northwest. As a concerto soloist, he has performed with the Vienna International Orchestra, Springfield Symphony Orchestra, Caroga Lake and Vermont Mozart Festival Orchestras, and the CME Chamber Orchestra, led by Metropolitan Opera concertmaster Benjamin Bowman.
Johnson's diverse artistic endeavors range from his TEDx talk comparing Mozart and Seinfeld, to his music- and poetry-weaving show IMPRESSION, based on his octet arrangement of Debussy's Prelude to the Afternoon of a Faun, to his performances of Mozart's Clarinet Concerto in its original form on a rare elongated clarinet that he commissioned. In this same spirit of shedding fresh perspective on familiar music, Johnson has authored numerous arrangements of repertoire ranging from Mozart and Debussy to Gershwin and Messiaen, and performed them around the country and on recording for a 2021 release on MSR Classics. He has also recorded commercially for Hyperion Records and Musica Solis Productions alongside the likes of David Shifrin, Peter Wiley and Frank Morelli.
Johnson joined the artist roster of the Center for Musical Excellence in 2019 as its only clarinetist, and in 2021 he was awarded the organization's inaugural Lee Memorial Scholarship to underwrite a new album to be recorded in the upcoming season. Additional recent festival appearances include Maverick Concerts, Music Mountain, Annapolis Chamber Music Festival, Lake George Music Festival, Caroga Lake Music Festival and The Banff Centre, and he has collaborated in chamber settings with such distinguished artists as Ani Kavafian, David Shifrin, Allan Vogel, William Purvis, Hannah Lash, Wei-Yi Yang, Imani Winds, the Callisto and KASA Quartets, Frisson Ensemble and Metropolis Ensemble. Upcoming performances include return engagements at the Phoenix Chamber Music Festival with David Shifrin, Valerie Coleman and the Miró Quartet, as well as the Yellow Barn festival and appearances in Belgium and Austria. As an orchestral musician, he performs regularly with the New Haven Symphony Orchestra, Albany Symphony Orchestra and Pegasus: The Orchestra.
Johnson's writing about music continues to be published by the international journal The Clarinet, as well as in program booklets by Carnegie Hall, Chamber Music Northwest, Yale and the Norfolk Chamber Music Festival, and as liner notes accompanying albums by David Shifrin, Ricardo Morales, Lloyd Van't Hoff and the Center for Musical Excellence. He holds graduate degrees from the Yale School of Music, where he was twice awarded the school's Alumni Association Prize. His major teachers include David Shifrin, Nathan Williams and Ricardo Morales, and he is now a doctoral fellow at The Graduate Center of the City University of New York under the mentorship of Charles Neidich. In 2021, Johnson joined the faculty of the Mahanaim School in Huntington, New York as Adjunct Professor of Clarinet.
Johnson's diverse artistic endeavors range from his TEDx talk comparing Mozart and Seinfeld, to his music- and poetry-weaving show IMPRESSION, based on his octet arrangement of Debussy's Prelude to the Afternoon of a Faun, to his performances of Mozart's Clarinet Concerto in its original form on a rare elongated clarinet that he commissioned. In this same spirit of shedding fresh perspective on familiar music, Johnson has authored numerous arrangements of repertoire ranging from Mozart and Debussy to Gershwin and Messiaen, and performed them around the country and on recording for a 2021 release on MSR Classics. He has also recorded commercially for Hyperion Records and Musica Solis Productions alongside the likes of David Shifrin, Peter Wiley and Frank Morelli.
Johnson joined the artist roster of the Center for Musical Excellence in 2019 as its only clarinetist, and in 2021 he was awarded the organization's inaugural Lee Memorial Scholarship to underwrite a new album to be recorded in the upcoming season. Additional recent festival appearances include Maverick Concerts, Music Mountain, Annapolis Chamber Music Festival, Lake George Music Festival, Caroga Lake Music Festival and The Banff Centre, and he has collaborated in chamber settings with such distinguished artists as Ani Kavafian, David Shifrin, Allan Vogel, William Purvis, Hannah Lash, Wei-Yi Yang, Imani Winds, the Callisto and KASA Quartets, Frisson Ensemble and Metropolis Ensemble. Upcoming performances include return engagements at the Phoenix Chamber Music Festival with David Shifrin, Valerie Coleman and the Miró Quartet, as well as the Yellow Barn festival and appearances in Belgium and Austria. As an orchestral musician, he performs regularly with the New Haven Symphony Orchestra, Albany Symphony Orchestra and Pegasus: The Orchestra.
Johnson's writing about music continues to be published by the international journal The Clarinet, as well as in program booklets by Carnegie Hall, Chamber Music Northwest, Yale and the Norfolk Chamber Music Festival, and as liner notes accompanying albums by David Shifrin, Ricardo Morales, Lloyd Van't Hoff and the Center for Musical Excellence. He holds graduate degrees from the Yale School of Music, where he was twice awarded the school's Alumni Association Prize. His major teachers include David Shifrin, Nathan Williams and Ricardo Morales, and he is now a doctoral fellow at The Graduate Center of the City University of New York under the mentorship of Charles Neidich. In 2021, Johnson joined the faculty of the Mahanaim School in Huntington, New York as Adjunct Professor of Clarinet.